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All products Gustav Klimt • Products of the topic Umbrellas
REF : PARAD-KL-01
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Only 1 in stock
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99,00 €
Cover: square, seamless, of high quality, made of 100% polyester fabric: 87 x 87 cm
Umbrella length: 77 cm
Weight: ultra-light, only 400g
Very sturdy: double bracing
Waterproofing: Teflon-coated, its perfect waterproofing ranges from 180 to 200 Schmerber (unit of waterproofing)
Its printing, through sublimation process, makes the inks indestructible to UV rays, so the umbrella can also be used as a parasol
Modular (the cover, the mast, and the handle can be changed by the customer in a few seconds)
Made in France
The Delos square received the Gold Medal at the 2001 Lépine competition (Patented and trademarked)
Robust, elegant, technically innovative, and aesthetically perfect, the Carré Delos is simplicity at the service of fashion.
So forget the plain umbrellas of yesteryear and opt for the modernity and artistry of an umbrella that will make you proud if it is intended for you or will delight the person you offer it to. Entirely made in France, this everyday object, now turned into a piece of art, chic and refined, will delight you and earn the admiration of all.
Additional cultural and artistic information about the artist
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The Kiss, Tree of Life, Portrait of Adele Bloch-Bauer, Danaë
Art Nouveau and Viennese Secession
Byzantine art and its very Art Deco gilding, Egyptian mythology
All the revival of German and Viennese art. Schiele, Kokoshka, Klee, as well as all those who contributed to the birth of Expressionism.
Unique in the extent of what it changed in the world of painting, Gustav Klimt is one of the main figures of Modern Art.
Two films are about the artist and his work: Klimt by Raul Ruiz in 2005 and Woman in Gold by Simon Curtis in 2015.
Gustav KLIMT was born in 1862 in the outskirts of Vienna, Austria.
His father was a chaser goldsmith and his mother pursued a lyrical career; just like him, one of his brothers would become a painter.
Immersed in this artistic environment, it is natural that he follows this path and enters the decorative arts school of the museum of art and industry in Vienna at the age of 14.
He made a living by making portraits from photographs before opening a workshop with his brother, Ernst. Together they carried out numerous joint works, especially for theatrical frescoes. KLIMT would maintain throughout his life a taste for large-scale works, almost monumental.
In 1892, his brother Ernst and his father passed away, plunging him into a deep crisis, even though his work was enjoying great success and recognition with numerous awards.
But Klimt remained unsatisfied, finding that his art remained too close to a stylized expression, which he considered overrated, inherited from a time that was no longer or would no longer be, very soon....
From 1897, he entered an extraordinarily creative period that saw him produce more than 4000 drawings in less than five years. His themes were then eroticism, love, and the representation of the human body in all its fragility.
Accused of being a pornographer by the bourgeoisie and conservatives, he nevertheless continued on this path, especially with the creation of the "Secession" group, which echoes other groups of the same name, created mainly by German expressionists.
It was in that same year, 1897, that he met Emilie Flöge, who would remain his companion until the end of his life and of whom he made only one portrait.
At the dawn of the 20th century, he began to exhibit throughout Europe and to find recognition that Austria no longer granted him.
In 1905 in Berlin, he received the "Villa Romana" prize; in 1906, he became an honorary member of the royal Bavarian academy of decorative arts in Munich; in 1908, he received the gold medal for "The Three Ages of Woman" at an art exhibition in Vienna; in 1911, he won first prize at an international exhibition in Rome.
His work remains today (see the sale of the Portrait of Adele Bloch-Bauer, in 2006 in New York) recognized and admired as the trigger, and even the symbol, of all the movements breaking with the old pictorial tradition that emerged, from the beginning of the century to the First World War.
(c) Natacha PELLETIER for PASSION ESTAMPES
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