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Additional cultural and artistic information about the artist
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Joan Gardy ARTIGAS is undoubtedly the only artist of his generation to have shared so many working hours with the great artists of the previous generation. From Miro, of course, to Braque and Chagall, he accompanied them in their work, they nourished his own. Thus, Joan Gardy ARTIGAS, besides being the son of the most famous Spanish ceramist, and having therefore immersed himself from his earliest childhood in the artistic milieu, managed to follow, in his own way, the footsteps of his father (through his own research on ceramics) and to wander according to his moods on more personal paths. Through his experiences, throughout his career, he aimed to find the expression of a work in motion, never frozen, as if the search itself was a goal, since it leads him on paths where, like an adventurer of the soul of his contemporaries, he represents, in colors and shapes, the happiness and anxieties, the small concerns and big questions of those who cross his path. And this representation, more often than not, he chooses to exhibit it to everyone's eyes, since a large part of his career has been devoted to monumental works which find their place in our cities (UNESCO in Paris), our universities (Harvard) or our airports (Barcelona). Thus, Joan Gardy ARTIGAS travels through his time so that his own contribution becomes a link in another creation to come... A generous artist, a warm work and a readability at every moment as if this simplicity emanating from his work was only there to remind us that creating is first and foremost giving... At 71 years old, this eternal young man, full of fervor, remains one of the European artists who has most influenced the artistic evolution of the 80s and 90s, between the myths coming from the American continent, the English events, and the heirs of the French New Realism.
Joan GARDY-ARTIGAS was born in Boulogne, near Paris, in 1938. Son of Josep Llorens Artigas, a renowned ceramist and friend of Miró (with whom he studied) and Picasso, young Joan was immersed in the artistic milieu from his earliest childhood.
Naturally, he joined the Ecole du Louvre and then the Beaux-Arts. If this geographical distance from his father and his original environment allowed him to develop his own style, it also enabled him to connect with artists of a different movement such as Giacometti. He then opened his own ceramic workshop in Paris, collaborating with Braque (who had never succeeded in working with Llorens Artigas) and also with Chagall.
However, as his father's health declined, Joan MIRO called him to come work by his side, and without hesitation, he returned to Spain and began a 20-year collaboration with Miró, only interrupted by the death of the Spanish master... Collaboration whose fruits are now visible worldwide, from Paris (UNESCO) to Barcelona (Airport), from Zurich (Kunsthaus) to Boston (Harvard University).
Monumental sculptures, ceramics adorning walls, fountains, entire buildings, the two men created together, but also separately. And these two experiences form the work of each other, respond to each other, push the two artists further in their research.
At the same time, since the sixties, Joan GARDY ARTIGAS has continued his work in lithography and engraving, exploring various techniques to make his love for color, simplicity of forms, and luminous harmony explode again and again... All elements that are also found in his work as a ceramicist and sculptor.
(c) Natacha PELLETIER for PASSION ESTAMPES
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